following their last 12 inch from nightwave, svetlana industries remain in their eastern european heartland with a long awaited ep from 1000names, the bulgarian production duo who made their debut alongside rustie on the now legendary >beatnicks< ep back in 2007. the >machine city< ep follows 2010s album and ep for black acre, as well as mixing for mary anne hobbs on radio 1 and recommendations in pitchfork. the ep marks a development from 1000names, taking giant steps on from their base in the beats scene towards a new sound, taking influence from giorgio moroder and analogue synth disco to imagine a future both optimistic and dystopian. it is like john carpenter meets hip hop and it is as good as that sounds.

next up from abstract forms is part two of the combined ep series, again the focus being on outer-worldly electro jams. the artists on offer are versalife who has already made a big impact on the recent clone west coast series and matti turunen, otherwise known as one half of finnish electro duo morphology. together they offer 6 tracks of electro music ranging from fast paced, but deep and spacious compositions, to slow and sleazy bump and grind electronica.well, thats what we call it, see what you think.

3 years ago patrick & frederic started their marvelous career as kaiserdisco and made it to one of the most interesting acts in the global underground scene. they are not only a techno or minimal act, kaiserdisco is fascinating people all over the world cause they are producing music from lazy deep house to groovy techno, always with the right sense for the dancefloor. in the last years they remixed artists like booka shade, kosheen, extrawelt, sebastien leger, 2000 & one...., and had releases on legendary labels like drumcode, 100% pure, strictly rhythm, my best friend, global underground etc... and now it is time to start their own imprint. the first kd music release la famillia ep comes from kaiserdisco themselves. the a-side la benjamina is a typical kaiserdisco anthem. strong beats, groovy bass and a hypnotizing melody. you can feel it in every second of this track how much fun it was to produce this piece of music. especially the big break will make you go mad!! hija major on the b-side is a heavyweight techno layout. a massive rolling bassline catches you from the first second! the hole track reminds you of a fast rolling train packed full of wood. it rattles from first to last and when it falls into the breaks you can imagine it pushes the train even more and more and more...

s100 is a cluster of machines and individuals who found themselves to be the perfect techno live band. the individuals behind s100 have previously released a number of techno, dub, and electronica records on various labels. s100 is making music that is narrowing the gap between the past and the future, marrying the digital and the analogue, along with a strong emphasis on being performed live with machines. 2011 will definitely be the breaktrough year of s100, with their debut ep on stockholm ltd, their intern track on stockholm ltd 022 and their remix of par grindviks sinister track. their music has already been picked up by some of the techno scenes major players, like ben klock, samuel l session, pfirter, dustin zahn, audio injection, dimi angelis, tommy four seven and perc. on their self titled debut ep, we get to know s100s music a bit more. the music ranges from the powerful and raw discharge to the more deep driven krowork before diving into the ambient patterns/ soundscapes of repel. as the record rounds up, tom dicicco adds his very own stripped down dub formula in his rework of krowork. tom recently made his first appearance on the label with the track night erosion

>zen< is dj krushs seventh album and features collaborations with black thought and ?uestlove of the roots (on different tracks, mind you), n dea davenport of the brand new heavies and zap mama, as well as unknowns from the japanese hip hop scene. the beats he creates are organic, at times defying any genre-descriptions, which is exactly how dj krush likes it.
this album from 2001 hasnt been available on vinyl for years, and is now made available to you on double 180 grams audiophile vinyl.

west - african music from the golden era. terenga beat is out of senegal. check tracks like massane cisse, tioro baye thierno simply beautiful!teranga beat is a new record label based in senegal. the aim of the label is to highlight some of the recordings made in the golden era of the senegalese, and more generally, west african music, produced from the late 60s.

83370 is the first transmission from ollie viero and nico serrus, a pair of french brothers who grew up in a beach town along the coast of the french provence, saint-ayg, which has since become the basis for their name: sinteg. now based in montreal, their collective output has made up the bulk of fur trade recordings signature sound - this sixth label offering is the third to feature one of the two brothers at the helm. they are fresh and prolific and, as such, they are the sound of a new generation of montreal producers. vieros version of house music is upbeat, fiercely layered with percussive latinized shuffles and necksnapping samples. meanwhile, brother mindbend is one of the labels co-founders and has been designing its style and directions since the beginning. together, sinteg is a breeding ground of propulsive dance music punctured with tiny shards of detroit funk and chicago soul, but with the brittle dryness of techno substituting in for the deepness of house.
comes on transparent dark green / smokey marbled vinyl.

we are happy to introduce a brand new act to the scene: dscrd, a young band of five alien electronic music composers from paris, france. in mountain cabins with high range microphones, in dark parisian suburbs with broken synths, and, really lost somewhere in outer space mostly of the time, dscrd have been creating their very own alchemy. this is their debut ep on dement3d records, and it is brilliantly blending techno, dub and ambient-noise with field recordings, dark atmospheres and syncopated rhythms made with poetry and dedication. >this record is a statement, and we are proud to present it as our very first release @ dement3d records.<

romulo del castillo and joshua kay are phoenecia and they emerge from their long march into the aural wilderness of miami with good man bones ep, five new sonic tapestries heavy with rhythm and rich in visual detail. screen print colors with hot green/brown vinyl. this mini lp serves up an offering of selections from the full-length demissions - both made available through a unique collaboration between detroit underground and schematic. limited press.

morgan geists project storm queen marks a return to his roots with an analog approach towards modern house music with a disco pedigree. >it goes on< features the vocal talents of damon c. scott and is the perfect follow up to storm queens debut of 2010, >look right through<. an underground hit featured in countless radio and club dj sets and charts, >look right through< was licensed by defected records and will be released in a remix package later this year. storm queen physical releases will be limited-edition 12 inches only. storm queen is made for djs, but doesnt sacrifice atmosphere and songwriting. storm queen owes a debt to classic house music from new york, chicago and detroit, as well as disco and boogie. storm queen is a leap of faith.

follow-up 4 track 12 inch to the first volume that was released earlier this year. in line with the concept of these two eps, the tracks were again taken from juergen junker live-set, recorded straight out of the machines. friend of the house is a collaboration with pavan mann, whose vocal parts are chopped to bits and more than just add to the live-live feel of the track. therell be more of him in the near future…watch out! its a jungle has a more hypnotic vibe and lures you deeper into the house jungle. dammit is the straight-up jackin track on this ep. no messing around, just rough sounding head-nodding material . feel what i feel starts of as a deep chordy affair. hard to let go off, once the little acid-lines start dropping in. all in all, its house! its that simple… as the neurhythmics also has its 10 year anniversary this month, there will be a special limited edition of this record. 54 records will come with a miniature 3-colour stencil canvas by juergen junker, hand-made and numbered, complete with a mini-easel.

the back on track vinyl collection takes one of the most seminal and classic new york house labels of the late eighties and early nineties and lets the sort after producer nicholas painstakingly update the sound for 2011. this special edition collection is made of three limited edition heavy weight 180 gram vinyls with printed sleeves. each four track ep is individually coloured to make the complete set of three, light blue, orange and dark blue. on each ep there are four nu groove tracks re-edited by nicholas that include vinyl only exclusives. the collection reinterprets classic nu groove artists including bas noir, roqui and n.y house n authority.

the back on track vinyl collection takes one of the most seminal and classic new york house labels of the late eighties and early nineties and lets the sort after producer nicholas painstakingly update the sound for 2011. this special edition collection is made of three limited edition heavy weight 180 gram vinyls with printed sleeves. each four track ep is individually coloured to make the complete set of three, light blue, orange and dark blue. on each ep there are four nu groove tracks re-edited by nicholas that include vinyl only exclusives. the collection reinterprets classic nu groove artists including bas noir, roqui and n.y house n authority.

mount wittenberg orca is a collaboration between dirty projectors and bjork recorded in the spring of 2010. for the first time it will be made available on deluxe lp.
the deluxe lp features:
- 180 gram heavyweight vinyl
- code for mp3 download
- 3d/lenticular cover
- 11 x 11 inch full color 12 page booklet
- each record is hand numbered and a limited run of 3000 will be pressed worldwide.

tornado wallace has made a rather rapid climb up the hype list since his debut release here on delusions of grandeur in 2010 and deservedly so. definitely one to push quality as opposed to quantity, the melborne wunderkind has chosen to focus on just a select few remixes and releases which has stood him in very good stead and created demand as a dj and producer with genuine integrity as well as talent. in addition to his two eps on d.o.g he also released an ep for instruments of rapture as well as making remixes for home taping is killing music, kolour ltd and future classic. he is also responsible for one of ras best and most popular podcasts this year

the back on track vinyl collection takes one of the most seminal and classic new york house labels of the late eighties and early nineties and lets the sort after producer nicholas painstakingly update the sound for 2011. this special edition collection is made of three limited edition heavy weight 180 gram vinyls with printed sleeves. each four track ep is individually coloured to make the complete set of three, light blue, orange and dark blue. on each ep there are four nu groove tracks re-edited by nicholas that include vinyl only exclusives. the collection reinterprets classic nu groove artists including bas noir, roqui and n.y house n authority.

somewhere over western europe, an un-identified falling object crashed landed causing a massive bang, and a ginormous banana shaped smoke cloud. frederic, a local artistic young chap was so inspired by this hilariously funny giant cloud that covered the whole sky as far as he could see, he ran indoors to take cover, and wrote a little summer step d&b beat, called >laughing at clouds< – which seemed to draw a lot of attention. out of the studio window, frederic could see what seemed to be a pink giraffe giving it some serious head-nodding action. by the second drop leonard (the pink giraffe) was dancing so heavily that he caused a small tremor somewhere over in the states, where young up & coming producer melo seemed to pick up the transmission. while in his sonic laboratory he managed to transfer his latest project (affirmation) through the current, where frederic decided to make his first remix project, which pretty much made leonard pass out after all the summer stepping….

debut album for the singer dominique dillon de byington aka dillon - she made a winding journey from brazil to berlin via cologne. dillon is inspired by billie holiday, jean-michel basquiat, jeff buckley, and highly recommeded by dj koze

deep series is back! the third deep series features a fascinating symbiosis of two individuals: ekkohaus and santos resiak. the two of them started to work on this project in 2009 and are now finally ready to share it with the rest of the world. during that time, ekkohaus made a splash with a whole array of top releases e.g. 2020 vision, circus company and cargo edition. santos resiak was also having a blast – e.g. after his last release at mothership. the three tracks on the new deep series fuse together the artists still unbroken enthusiasm for deep sounds in one melodic common denominator. >thanx but no< is a homage to the saxophone (btw: played live by robert wuerz). heavy with groovy loops the track creates a free floating ambience reminiscent of a jazz club in new orleans or a night club on an early morning in berlin.
supported by: agnes, dan drastic, dj terry, frank roger, huxley, julietta, kate simko, laurent garnier, miss jools, mr.g, mr. statik, nekes, onur ozer, osunlade, p.toile, m.a.n.d.y, raresh, ray okpara, reboot ...

from the signals imprint in the north of england comes two suitably rough and tough cuts of british house/techno from liverpool wunderkind john heckle. this is how techno and house should be made! machine driven, raw, moody with heart and soul. a 10 inch cut designed for heavy rotation.

over the last few years we have all seen an emergence of new methods of spreading and accessing music. some might say this is normal market evolution, we say we keep enjoying music as we always have, on vinyl that is!we love vinyl. we love its sound, we love its shape & we love the feel of it in our hands… our goal is to offer a medium, paying particular attention to the recording process, which will not only conserve the cherished ritual of music listening, but will also deliver a properly put-together abundance of well made, richly defined ear snacks, from genres of all sorts both old and new. vinyl kills mp3 is a vision, a message & a statement. our mission is to preserve all that is music on vinyl. ,label headquarters are in berlin, the leading capital for electronic music worldwide. weare currently ,accepting submissions for artists worldwide. distribution is organized together with syncrophone.! ,parisian youngster john jastszebskis new track la toureille is a deep techno wonder reminiscent of the vitriolic sounds of berlin techno. the trenchant beat and the syncopated percussion convey a heavy yet ,addictive atmosphere. sounding timeless already, this pure, icy tune is definitely dance floor-bound. b-side funky dreamer is a violent and sharp composition by french dj john jastszebski. as a young but experimented artist, jastszebski skillfully maintains tension and elation throughout the raw, hypnotic track. it is as straightforward as spontaneous, and leaves the listener wanting nothing but more!

french housemusic legend dimitri from paris is back! his last e.p. on gomma became a favorite of djs from soul clap to danny krivit, the magician and horse meat disco. now this is the second ep made with dj rocca. italian superproducer with releases on classic, rekids and international feel (who also releases as ajello and crimea x and plays the flute on this release) basically they do early 90ies hip house and electroboogie. including a cover of the pet shop boys >domino dancing< (feat. tim benton) and the dancefloor burner ero disco theme. hits.

volta cab has made quite an impact on the nu disco / deep house scene since last year. he is a multitalented, versatile producer, performing brilliantly in a range from from nu disco, deep house, soul, techno to breakbeat. approaching music in an open way, he is not restricting himself to a certain genre, catching the zeitgeist. on serenades, volta cab takes us back to 1992 with a 4 tracker called >house of the rising fire ep<. all of the tracks are heavily influenced by rave and house soundscapes of the early 90s. think of early prodigy, altern8, rachel wallace and baby d, combined with a modern nu disco twist.

ultraschall is an homage to the first big techno club in munich. the owners of harry klein were part of the old ultraschall, which has a unique legendary status nowa¬days. the older generation in particular often long for the good old days. yes those times shouldnt be forgotten, especially not in terms of sound, but its also important to move on and attempt new things. like supporting vinyl, going to a who¬lefood shop or ending war. ok that might sound like a bro¬ken record, but how about spending less time on facebook and actually with your friends, cooking for your parents or organizing a break dance battle in your backyard? daniel takes us on a journey through the past and back to the future again. a charming mixture of laid-back grooves combined with some rough n ready rave moments make this a rapturous trip, no matter what time it is. track names are a really interesting element of music. some artists dont care about them at all and call their tracks a1 or something non-descript. yet many titles can be really funny, others made up words, and some corre¬spond to current events or times. some just really fit the sound. if you lose something, in general its a pretty nasty and unsettling feeling. but you have to deal with bad luck when it strikes. losing something can teach you an im¬portant lesson, or simply show you what it means to be unfortunate and down. not knowing the lows as well as the highs wont allow you to evaluate life very well. most important is to really feel and be yourself, despite the ups and downs.

galaktika prepares their first vinyl of the year with the hand of garnica, paulo olarte and maurice aymard teaming up with mr hot guy maceo plex. the small compilation is meant to be for those floor killer sessions and those layback down mixes a mixture between deep house and techno. why not give it a try in vinyl if we believe this are one the best original tracks the labels heads have made so far and with the support of one of hottest name in the scene. so take advantage of this exclusive 200 copies.

the ow040 is just around the corner and we are looking forward to this anniversary. on the occasion of this jubilee we have a spezial gift for you. a new artist is entering the ostwind team. we are happy and proud to welcome alex q. after his fantastic releases on musik gewinnt freunde, cliff, mina records, amuse gueule and his own label kleinstadtfelling alex he made a name for himself. the range of his sounds inludes harmonic, deep as well as dubby techhouse and detroitish house. this is reflected on his ostwind ep like a summer rain. this young talented guy from eisenhuettenstadt shows that he could find something good in this cold and rainy summer. the result is a beautiful record that makes us breath calm and deeply and we reminisce about best moments of the summer. we will keep the sun shining in our hearts. the honour of the remix on this anniversary vinyl belongs to marcus schmidt vs. double c. two friends of alex who present us a a wonderful dub house track. thanks to alex and his friends for this unique release. we wish them good luck and all the best fort he future!

timeless techno with soul, made by the kanzleramt labelhead heiko laux in 2002.

***vinyl only***. following last years debut tsuba limited release its a pleasure to welcome back our favourite italian rio padice with > the return of the luchador<. the luchador story continues with 4 more tracks of timeless, raw and melodic house music all made with machines.

titan’s halo records presents alpha beta gamma remixes, an e.p that includes two reworks of the labels third reference by duo brain machine made by irish producer boxcutter and the bulgarian beatmakers 1000names.
the result is a special 10 inch record that will help the cross-pollination of genres as it throws the original track into the sweet sensations of deeper cosmos while it nods some heads and knocks minds.
this 10 inch artwork has been crafted by titans halos designer pablo sanz, while the mastering process was engineered at eternal midnight studios by xergio cordoba.

following his dream ep release last year that featured an amazing j.t.c. remix, juanpablo drops us this time another especial production called mother mountain ep that shows clearly how hard he is pushing to create his own beat. last year his song dream was reviewed by some specialized media as hard to describe but easy to love and we think that the mother mountain track on this record will get a similar description. sea people is the second track and for this song juanpablo has invited spanish producer vinz vincenzo to collaborate with him in the production. this artist has been around for a long time and has made a lot of music in many different types that are far away from electronic genres which gives a plus to the end result of this production. and lastly, we have a remix of mother mountain by the mythic spanish producer arcanoid who has released on labels such as tesla, semantica, etc. his remix is pure techno, very hypnotic, dark and mental but always with his personal touch. probably the most club oriented tune on this record.

day one: high-octane bounce madness made all the more crazy with the cheeky audio strips and meshed up manic laughter. enjoy the depth of the groove and the mayhem!
oktober: not for the faint hearted. raw and relentless beats drive you out of your comfort zone over to the eerie and edgy. then just when your hands shoot in the air and you are screaming for breath, it plunges you back down slap bang on track, just like a techno roller coaster.

comes on transparent lightblue vinyl, including insert with liner notes.

diynamic is back to release its 053 ep. this time its a classic 4 tracker showcasing some of the finest young talents in house music. after their hit single ‘deep in the three’ on 2diy4, adriatique and thyladomid are back making their debut on mother label diynamic. ‘the l way’ is combining a emotive vocal line with warm pads and a driving bass, for a fresh yet deep sound. „touch me“ from italians newcomer hunter_game is a very deep and sexy track with nice vocals and very smooth hypnotic sounds. on b1 the two romanians ntfo make their second appearance on diynamic. ‘feelings’ is a housejam of highest calibre. with chunky bass stabs, funky-muted guitar sounds and a crispy hookline this song is made to make you shake. ‘smiling faces’ by london-duo app shines with its laid-back groove and its trippy vocals. the breakdown unfolds into a new wide dimension before coming back with a strong groove. quality time is guaranteed.

part iii boasts contributions from portland, oregons performance art and house music group the miracles club (following releases on cut copys cutters label and famed mexican summer), wurst vet nick chacona - here with longtime partner anthony mansfield, and neurotic drum bands ulysses. the miracles clubs >i cant help it< is a heart-wrenching, ethereal ballad set atop a rock solid, chicago house-inspired rhythm section. easily the deepest cut to emerge from the nick chacona and anthony mansfields fun-filled studio sessions, >tase the wizard< is tailor made for desert raves and smoky basement clubs alike. >soular power< sees ulysses at the top of his talents, bringing the tempo way, way down for a slow-burning balearic beast.

friske is proud to announce the debut of his own imprint, melee. melee aims to provide a resurgence of raw drum & bass with a no compromise approach to quality and trends. with its debut, melee 001 features four producers and their unique sounds of authentic attitude, grinding surges and grimey basslines that have made them staples in the drum & bass scene.
illicit has been featured in loxys recent metalheadz podcast aswell as on the shogun audio show on ministry of sound radio, and the ep has received massive support from loxy, ink, hive, trace, a-sides, outrage, spirit, flight on rinse fm, raiden, btk, dj chef on kool fm, dylan, bkey, gremlinz, nymfo, fd, script, foreign concept and many more.

cool hand made freude am tanzen pillow

cool hand made freude am tanzen pillow

cool hand made freude am tanzen pillow

cool hand made freude am tanzen pillow

cool hand made freude am tanzen pillow

cool hand made freude am tanzen pillow

cool hand made freude am tanzen pillow

cool hand made freude am tanzen pillow

for his discographic debut degustibus has chooses to release gin sonic, a tune made by rubini, an italian artist workin and livin between venice and berlin.
gin sonic is a classy old-school track, made in berlin but dreamed in a synthy-outerspace. circular bassline swim in a invincible funky-beat and crush against a wall of synth providing you a sure dancefloor-filler.
in addition they commissioned a remix from berlin-legend dj filippo naughty moscatello. he made 2 versions, impossible to choose the better they included both in the release. remix 1 is a dubby-hypno ride with a moroder-like dizzy bassline. remix 2 is a perfect example of the best naughty style: sharp bassline and vintage-synth blended together in an solid old-school disco journey. already a classic.

mr. mageeka makes a welcome return in the wake of >different lekstrix<, the mutated funky banger that caused straight up mayhem on many dancefloors the world over, upon its release via numbers last year. the much-anticipated follow up, penned for release on phuture shock musik, comes in the shape of >vintage malarkey<, which sees the east-londoner offer further next level shenanigans. employing a similar formula as its predecessor, this one is stripped down and quintessentially hypnotic - instantly luring you in with a looped god made me funky - esque groove, over a brisk swinging rythm, whilst occasionally throwing you off-guard through the introduction of angular synths and offbeat claps, as well as an inspired collage of samples that maintains the quirky nature of the production throughout. the single comes backed with >de congo<, a funky conga-laden number, that is enhanced by an addictive fusion of west african guitar licks, kalimba stabs and frisky percussion, though the real icing on the cake being its meandering trumpet hook, altogether coming off like a live high-life jam. early support from the likes of rinse fms scratcha and marcus nasty.

the next ep on germany s hello? repeat imprint comes from seuil, one of paris s most inspired underground producers. in terms of style, it is a match that could hardly be more perfect. hello? repeat has spent the past six years carving a niche for itself with eps from cabanne, audio werner and label co-founder daze maxim, plus acclaimed albums by bruno pronsato and kate simko. seuil, meanwhile, has put out a steady stream of ultra-deep 12-inches on labels like freak n chic and sammy dees ultrastretch. both specialize in a sound that is modern, understated and hypnotic. late call is exactly what its name suggests: a record made for the deepest, most tender portion of the night. the drums are slick and punchy, but the rest is woozy and romantic–this is one to put on when the crowd has stopped chatting and everyone s dancing with their eyes closed. topping it off is a vocal line made famous by diana ross but recited here by an androgynous diva: if you need me, call me, no matter where you are, no matter how far… dark, trippy and weirdly moving, this is one of seuil s finest tracks yet. >slow motion< strikes a similar chord but with a more subtle approach. here you notice seuil s rare touch for subtlety: in the absence of any real >hook<, he keeps the track moving with expertly sculpted drums, a warm half-melody and a gently propulsive beat. soft chords sustain in the background to create a balmy summer night feel. both tracks show seuil and hello? repeat doing what they do best: delivering something deep, functional and full of character.

this 7 inch record released by lo fi funk records contains two skweee tracks which are going deeper in the main lines that this artist has been developing in previous productions. poly july is low tempo track with vibrant synth lines built over a minimalist rnb drums base, resulting in an hipnotic beat with pure funky flashes. moon braggin is full of huge sub bass waves, typical of the new club music and crazy, doubled tempo percussion tracks which forms a mental song, with an epic atmosphere made with floatting oriental synthesizers tunes.

studio one women is the latest in the series of studio one compilations released by soul jazz records. ska, rocksteady, funky reggae, roots, dub mixes, disco mixes, they are all here from the queens of the jamaican music scene. studio one women features a wide mix of classics and obscurities from the finest female voices in reggae. until now most of these tracks have only ever been available as extremely hard to find jamaican 7 inch and 12 inch singles and even if you were lucky enough to find them they d cost you a small fortune! marcia griffiths and rita marley (here with her first group the soulettes) are two of jamaicas most famous female singers hugely popular today. both these artists became internationally famous as the i – threes (along with judy mowatt), bob marleys backing singers alongside the wailers. also featured are hortense ellis, sister of alton who cut many smash hit on the island and jennifer lara, a lady who had a long career with studio one, singing on countless sides until she sadly passed away earlier this year. studio one is the greatest label in the history of reggae and is the foundation of all reggae music. it is where virtually every world renowned jamaican superstar started out, bob marley and the wailers included. under the guidance of the legendary clement >coxsone< dodd the musicians at studio one recorded hundreds of instrumental rhythms which still provide the backbone for many of the records made in jamaica today.

panacustica’s fourth release is amongst cosmic metal mother’s finest work. “time is now” the track in question, defies definition by mastering a style on it’s own, by fusing elements echoing from prog-rock drenched with emotional content into an adult and contemporary way of delivering which is unique to the cmm writing style. the original is melancholic bliss. a vocal line at the center of the piece whispers words about oscar wilde and mr. death accompanied by a cello melody that grows bigger and bigger into an angelic cascade of notes. the track begins and ends in the most bare way with just a drum beat leaving you with the feeling you have just entered a loop where time is irrelevant. commodity place has the second cut of the a side. the duo from rome, known in the global underground of the vinyl tribes for their signature guitar style, chooses to call their mix “experience”, clearly paying homage to the gods of rock, delivering a guitar solo that will fire up your speakers and fill your eyes with the brightest psychedelic colors that we all so desperately need in this age of grey anonymity. the b-side is a full eight-minute mix by the man who needs no introduction and made us all dance since day one, larry heard, a.k.a. mr. fingers. his version is a fast “four to the floor” track, where a shaker drives the house beat into the melodic lines and voice borrowed from the original, making it one hundred per cent dance floor efficient with the modernity and mastery of his touch